And when the saga-man transformed the story into one of this type,
he did it with the conscious purpose of providing a story that would
enable him to let Bjarki take Hott out secretly at night, kill the
dragon, compel Hott to eat of its heart and drink of its blood, put
Hott's newly acquired strength to the test, prop the dead dragon up in a
living posture, thus paving the way for further developments, and then
return to the hall--all unseen and without arousing a breath of
suspicion. The type of story is adapted precisely to the requirements of
the author's plan. That the propping-up of an animal that has been slain
is good saga-material, or has the sanction of earlier usage, is
admitted, and need not be dwelt upon here.
The type to which the dragon story belongs has a bearing on its
relationship to the Grendel story. Grendel is a hall-attacking monster;
the troll-dragon is not a hall-attacking monster. If the dragon story in
the saga is a modification of the Grendel story in _Beowulf_, or if it
is a modification even of the story about the fire-spewing dragon, there
has been a change, not only in the details of the story and the nature
of the monster, but it has been transferred from one well-defined type
of story to another.
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